Mix Challenge

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Thanks @salvadorcassis for including me in the final 15! And thanks @s&f for your kind comment too! The vocals in your mix are beautifully treated. Here is a link to my revision - https://drive.google.com/file/d/1K7JgdlJTrtdg9eYOX1YZr3D-2aE0v1nK/view?usp=sharing - I have made some of the vo...

MC082 Thanks to Canardus Horribilis for the multitrack files. I mixed this song on Reaper Process goes like this: Drums: On bells I just used EQ. Toms roll only has EQ Chorus Drums routed to bus and bus has Saturn warm tape style for low end clarity. Virtual mix rack for little bit of EQ and Compres...

Hey, i apologise as I was really caught up and couldn't visit the website. I regret not sending the mix for round 2.

This track is so nice to hear and i am grateful to have mixed this. 
-1.1 Peak level, no Limiter
 Here’s how I approached the mix. I recently Subscribed to Slate Virtual Mix Rack so I went with it on this mix. I am not happy with the Noise VBC Rack compressors induce I might fight alternates.

 Mix ...

Thanks For providing this song. 
 It was really interesting to mix a singer songwriter genre. I usually Mix on Protools but i’ve experimented with reaper th1is time. Guitars, after gating, I used 3 saturn instances of tape and tube to clean overall spectrum and enhance low end of guitar. Followed by...

Thank You @RodA for your feedback.

Thank you for Choosing my mix for R2.
 I removed few dips that I made in low mid frequencies and It definitely helped the mix. 
I removed low mid cut from tom and boosted around 400 in pads (only mid channel) by 2 dB and I boosted side channel in strings around the same frequency around 3 db.
Helped...

Thank-you everyone who had a go at mixing our track “Afterglow”. Its been a very interesting and educational experience to listen to so many mixes and hear all the different approaches taken. I have approached my critiques to all the mixes as if I am talking to a professional mix engineer and askin...

Thank You for sharing this mix I made a Rough Mix During Gain staging then I approached mix with rest of the processing. Drums: I wanted to feel the punch as opposed to drown them as they are in original Mix. ProQ instances on all channels for mud cleaning and tone shaping Followed by Compression. 
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