Ladies and Gentlemen, here are the results of Songwriting Competition 61
The winners podium consists of:
- @KukoBass
- @Olli H
- @nanocats
Apologies for the waiting time, this is
not an automated process.
<4 participant rule is not in use (staff comments and votes, my vote would count as bonus)
We have
0 disqualification (due to lack of feedback)
We have
0 withdrawn entries
We have 0 votes after the deadline - therefore -5 points penalty
We have 0 users that tied
- no (more) users that tied
"Sole (License) Winner" rule does not apply -
3-position Winners Podium (>= 9 participants prior to the deadline)
STATISTICS SHEET:
Overview of Submissions (PDF - updated: 09-OCT-2022, full sheet)
! | Bonus Info | Short info:
I am using Wavelab 10 for batch analysis, then I manually port the CSV export to a Microsoft Excel/Open Office Calc sheet with custom layout (this is not an automated process).
As pointed out in this post from SWC047 / July, Wavelab has different tolerances for dBTP max analysis compared to tools like iZotope RX, Youlean Loudness Meter, NUGEN Audio VisLM, etc. To find a common ground, I've implemented "allowed tolerances" (just like with the Mix Challenge). These are based upon allowed offsets mentioned in the white papers for EBU R128 and ITU-R BS.1770-4. Since no measurement tool is the same, to be on the save side, please export at -14,1 LUFS ILk max, and -1,1 dBTP max.
As usual, I did list/analyze alternative releases (MP3s and FLAC). If you've submitted your entry in multiple file formats, the statistic sheet will focus on the uncompressed material first (WAV), then FLAC, then MP3. The higher the quality, the less possible loss on bonus points for "Loudness Specs" due to offsets introduced by a used CODEC. In this case, FLAC and MP3 are merely for information purposes. |
Here are the results as chart in image form:
Thank you so much for your participation.
License selection:
We'll now perform with the usual. Selecting licenses is handled in public. Please select one license/company out of the pool (in order of the winners podium) and mention it in this thread, then (
important) please get in touch with me (
via PM) with your full name, email address and your license selection.
As usual - you're
not forced to pick up anything. You can pass and therefore offer more to select for the next person in line (if there is a spot existing / not available for "sole winner" mechanic). Just let all participants/winners/the staff know in a timely manner (within 5 days). Once one company has been selected, it's out of the pool for the next person on the podium.
I re-open the field for talking some more about each others' productions. If things drift a bit too off-topic, please use the
General Gossip thread, or
Discord.
See you in in the next challenge!
Songwriting Competition 062 (October 2022) is still in full swing. There is currently no entry still.
Please help spread the word!
There is also
a new blog post in the News and Announcements section, talking about a change in the "Voting Process" game mechanic for the Songwriting Competition. Please take a closer look, as I would love to implement this with SWC062 / October already. Thank you.